Communication Skills

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Theatre of the Absurd

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Theater of the Absurd refers to a literary movement in drama popular throughout European countries from the 1940s to approximately 1989. The phrase ‘Absurd Drama’ or ‘The Theatre of Absurd’ gained currency after Martin Esslin’s book ‘The Theatre of Absurd’ was published in 1961. Absurdist playwrights adhered to the theories of French-Algerian philosopher Albert Camus, in particular his essay The Myth of Sisyphus, published in 1942. In this essay, Camus introduced his Philosophy of the Absurd, in which he argues that man's quest for meaning and truth is a futile endeavor; he compares man's struggle to understand the world and the meaning of life to Sisyphus, a famous figure in Greek Mythology condemned to an existence of rolling a heavy stone up a mountain only to watch it roll to the bottom. By ‘Absurd’, Camus meant a life lived solely for its stake in a universe which no longer made sense because there was no God to resolve the contradictions. In other words, what Camus calle...
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Deciphering ‘The Library of Babel’

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Through this essay I’m try to discuss the reason why Jorge Luis Borges uses Mathematical shapes and references from Mythologies or from Religious text.  Introduction Jorge Luis Borges, the Argentine writer was one of the most beloved Latin American storytellers of the twentieth century. He was also an early contributor to magical realism, a genre of literature in which the abnormal is presented to readers alongside the mundane. Jorge Luis Borges most famous works include Universal History of Infamy (1935), Ficciones (1944), The Aleph (1949) and The Book of Sand (1975).  All of them deal with fictional places and toy with the idea of infinity and mythical creatures that immerse the reader in magical worlds. The stories have been influenced by all genres of literature; from ancient Greece through the 20th-century vanguard movements. Change in Style In 1938, with his father gravely ill from a heart ailment, Borges obtained an appointment in a municipal library ...
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Cultural Jargun...

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         In this paper I will be discussing how different cultures depict Snakes. How this connotations attached to it shows it as a god in culture and how it is believed to be satanic in other.             Starting with Naga; in Hinduism, Buddhism and Jainism, the nāga is divine, semi-divine deity, or a semi-divine race of half-human half-serpent beings that reside in the netherworld (Patala) and can occasionally take human form. They are principally depicted in three forms: wholly human with snakes on the heads and necks; common serpents, or as half-human half-snake beings. A female naga is a nagini . Nagaraja is seen as the king of nāgas and nāginis. They are common and hold cultural significance in the mythological traditions of many South Asian and Southeast Asian cultures.           Similarly we have Bakunawa who is a serpent-l...
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