Communication Skills

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Cultural Jargun...

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         In this paper I will be discussing how different cultures depict Snakes. How this connotations attached to it shows it as a god in culture and how it is believed to be satanic in other.             Starting with Naga; in Hinduism, Buddhism and Jainism, the nāga is divine, semi-divine deity, or a semi-divine race of half-human half-serpent beings that reside in the netherworld (Patala) and can occasionally take human form. They are principally depicted in three forms: wholly human with snakes on the heads and necks; common serpents, or as half-human half-snake beings. A female naga is a nagini . Nagaraja is seen as the king of nāgas and nāginis. They are common and hold cultural significance in the mythological traditions of many South Asian and Southeast Asian cultures.           Similarly we have Bakunawa who is a serpent-l...
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Theatre of the Absurd

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Theater of the Absurd refers to a literary movement in drama popular throughout European countries from the 1940s to approximately 1989. The phrase ‘Absurd Drama’ or ‘The Theatre of Absurd’ gained currency after Martin Esslin’s book ‘The Theatre of Absurd’ was published in 1961. Absurdist playwrights adhered to the theories of French-Algerian philosopher Albert Camus, in particular his essay The Myth of Sisyphus, published in 1942. In this essay, Camus introduced his Philosophy of the Absurd, in which he argues that man's quest for meaning and truth is a futile endeavor; he compares man's struggle to understand the world and the meaning of life to Sisyphus, a famous figure in Greek Mythology condemned to an existence of rolling a heavy stone up a mountain only to watch it roll to the bottom. By ‘Absurd’, Camus meant a life lived solely for its stake in a universe which no longer made sense because there was no God to resolve the contradictions. In other words, what Camus calle...
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Globalization and the Evolving Identity of Goan Literature

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https://mariodemiranda.com/category/cards-postcards  Goa, once a Portuguese colony and now one of India's most culturally diverse regions, has long nurtured a distinctive literary voice. From early Konkani and Portuguese writings to contemporary English-language narratives, Goan literature reflects the complex interplay of colonial history, linguistic plurality, and socio-political change. In the era of globalization, this literary identity is undergoing profound transformation. Global flows of ideas, migration, and technology are reshaping how Goan stories are told, who tells them, and how they are received. Colonial Legacies and Postcolonial Voices Goan literature has its roots in a colonial encounter that lasted over 450 years. The Portuguese influence left an indelible mark not only on Goan architecture, religion, and cuisine, but also on its literature. Early works, often religious or didactic in tone, were written in Portuguese or Roman-script Konkani. After Goa's integra...
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